This slow burn of a film has found a home at Op-Docs. I'm so pleased to see the work of Megan Mylan, Mike Chin and Emily Taguchi make its way to the New York Times. And, of course, I love that the quiet, thoughtful choices and big heart of Masami Hayata have found an audience. As the film's editor, I haven't met Hayata-san in person, of course, but it was a joy to spend several weeks in the edit room with him.
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